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PseudoPod 1056: The Tallow Feast

Show Notes

Notes from the author: “The Tallow Feast” is taken from editors Marie O’Regan and Paul Kane’s anthology, WITCHCRAFT SHORT STORIES, part of the Beyond and Within series from Flame Tree Press. In choosing these stories, Marie and Paul have sought to move away from ideas about the witch that cling to clichés of the cauldron and the broomstick, inviting instead stories that represent a global perspective on the craft, drawing on a wide range of cultures and folk laws to reveal feminine power, rage and community in all its colours.

Damien Kelly’s story, The Tallow Feast, draws on Irish folk imaginings of this “woman’s work” and explores the witch through varied incarnations: from hospitable homemaker, to wild woman of the roads, to something closer to the fabled banshee. In all these versions, intent and sacrifice set the witch apart, and power is a subtly negotiated thing, and rarely on an empty stomach. Because blood, while thicker than water, isn’t as thick as fat.


The Tallow Feast

By Damien Kelly


Years ago, a woman – reputed to be crafty – berated Alma’s mother in the market square for rendering her tallow with salt and water.

Your oil will lose all goodness that way, she said, and it will spoil. She said it idly, half-smiling, as if sharing advice, but she meant it as an augury and a curse and every wife within hearing knew it. Because she was a witch.

“She’s no witch,” Alma’s mother told her later. “She just fancies herself.”

And as she added salt to the beef fat and water, Alma’s mother educated her daughter on the realities of rendering tallow. And curses.

“You can skim the oil, without touching the water. Know your depth. Control your heat. Else you can cool and rewarm the solid tallow cake any number of times, to ensure the salt and water alike have sunk below. Take the time. Take care. Because it is a fact, daughter mine – and no witch can change this – that neither salt nor water dissolve in oil.

“So, if it’s there, it’s because you let it in.”

Her tallow was always white as snow. Never smelly or salty. And it never spoiled. (Continue Reading…)

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PseudoPod 1055: Bite-Apple and The Halloween Parade


Bite-Apple

by D. Matthew Urban


Oh yes, I’ll be sure to give her the pills every morning. Thank you for coming all this way, Doctor, and on Halloween, too.

I’m sure you’re eager to get home and take your children trick-or-treating, but could you spare a minute to join us in a game before you leave? It won’t take long, and it would make Sarah so happy. We don’t get trick-or-treaters out here, and I can’t take her to town, not with her condition. A holiday game would make it feel like a real Halloween.

Thank you so much, Doctor. You’re so kind, so generous. (Continue Reading…)

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PseudoPod 1054: Kill Screen

Show Notes


When we asked Chris about re-running this story he replied: “I’m genuinely honored that Kill Screen still holds a special place in PseudoPod history, so I couldn’t be happier to see it brought back again. After all, what’s an old video game without a modern re-release?”


Kill Screen

by Chris Lewis Carter


I’m about to close shop when a kid walks in, no older than eight or nine, lugging a cardboard box with

Do Not Open Ever

scrawled on the side. He pushes it onto the counter and stares at me with expectation. (Continue Reading…)

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PseudoPod 1053: Put Your Metal Blade to the Earth


Put Your Metal Blade to the Earth

by Maddie Logemann


There is an inherent danger in digging. Not metaphorically, rifling through the lives or possessions or hidden minds of others. Though that, too, poses a risk. It’s putting metal blades to the earth and overturning the flesh of their mother that Elias alone seems to understand the danger of. Or perhaps the others know, but keep the frights tucked back on a secluded shelf in their minds. It’s a necessity, after all, in these days where the very air seems polluted with the distinct stench of flesh becoming other. It festers into sickly white pustules or blotches violet with blood. It melts down, becomes rotten pulp to feed the magpies.

He’s seen carrion crows carrying around the eyes of the corpses. They stash them, sometimes, in the boughs of the trees. The forest never stops watching, not really, but now there is a reminder. (Continue Reading…)

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PseudoPod 1052: Flash on the Borderlands LXXX (80): Soil, Shadows and Blood

Show Notes

“The Wishing Angel of Suffolk County” – From the author: “The concrete bridge in the story can be found where Bayport meets Sayville, if you’d like to make your own wish.”

“John Must Die” – From the author: “John Barleycorn is a Scottish and English folk song first attested in the 17th century. There are several versions; this story is loosely based on Robert Burns’ 1762 telling which follows John, the personification of the barley crop, as he is threshed, crushed, brewed and generally brutalised.


“The wheel of the season turns. Pray it does not stop.” – Anonymous


The Wishing Angel of Suffolk County

by Holly Hefner


They named her the Wishing Angel. She was constructed of concrete, and might have once belonged in the nearby churchyard. For decades, or at least as long as anyone could remember, she stood half-submerged in the swampy waters near the bridge into town, surrounded by a halo of cattails and empty cans of beer.

The rule was: toss a penny toward her praying hands, and if it landed in the space between her hands and breasts, your wish would come true. You needed to have a good throw. She was farther away from the bridge than she looked. Years of attempts and slimy moss meant even if you hit her right in the chest, it was just as likely your penny would bounce impotently into the green-black water.

But Lara had a good wish and a whole four-weeks of practice aiming at the cracked ashtray she’d set on a fencepost. She picked her best, shiny penny, the one from the year she was born, and marched to the bridge on a Sunday when most folks were at the church. Her family didn’t go to church anymore, but she hoped the angel would forgive her. (Continue Reading…)

The Ghost of a Flea ARTWORK photo by Tol

PseudoPod 1051: The Ghost of a Flea

Show Notes


‘Courtyard’ by Tol, taken using a 2002 Sony DSC-F717 bridge camera.


The Ghost of a Flea

By Orrin Grey


“Of course, I haven’t exactly conducted a survey,” Robert was saying, “but I get the impression that people used to see ghosts a lot more often than they do these days. Doesn’t it seem like the opposite ought to be true? After all, with each passing year, the number of dead must steadily increase, so by now the spirit world should be quite crowded. It seems that seeing ghosts ought to be a daily occurrence.” (Continue Reading…)

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PseudoPod 1050: This House of Hopes, This House of Bones


This House of Hopes, This House of Bones

By Cynthia Zhang


My husband is home again. I cannot hear him well, not with the ringing in my ears and the throbbing headache making every movement agony, but the ghosts keep me informed. There he is, slipping off his coat and shoes at the door and placing his briefcase on a drawer; there he is in the kitchen, chopping vegetables and tasting the broth for salt. The worried caretaker, ever careful of my comfort.

The ghost with ribbons in her hair strokes my arm. She is the youngest of my visitors, with a round, heart-shaped face framed by curling ringlets that reach the middle of her nightgown—a picture of Victorian innocence, skin white and smooth as a doll. A knife gash winds around her throat like a ribbon, blood spilling down her dress like rubies.

Transparent fingers reach for mine, squeeze with more strength than you would imagine a ghost could possess. A voice scrapes inside my head, soft and high like whispers in the wind. Now, she whispers, now, now, now.

But I cannot get out of this bed. (Continue Reading…)

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PseudoPod 1049: An Inordinate Amount of Interest


An Inordinate Amount of Interest

by Ayida Shonibar


Green flows from your imagination onto the page, bleeding viridescent liquid through the intermediary of your brush. The handle bends to your grip like the natural extension it’s been for as long as you remember, the interface between skin and lacquered wood as familiar as your eyelids kissing to blink.

This last stroke completes the painting. It’s not finished finished—you could always add a layer of yellow to bathe the leaves in warmer sunlight or deepen their definition with purple shading. More details to bring this rendition of the peepal tree closer to how it’s rooted in your memories of your homeland.

But there’s the time limit to consider.

The interviewer waits for you to slide the paper to her side of the table. Her gaze traces over your artwork and lights up. “It’s beautiful.” She splays her fingers an inch above the still damp branches. “So lifelike it hardly takes any effort to do this.”

Light suffuses her hand. Beneath her palm, foliage springs from the paper and spills across the tabletop. She pulls it upwards, fingers still glowing as they curl around the sapling to draw it out of your now blank canvas.

Air catches in your throat. Pulse pounding, you lean closer to gingerly touch a heart-shaped peepal leaf.

It’s solid. Waxy. A real piece of where you came from, a shining emerald on this other side of the planet. When you dig your nail in, the bitter scent of raw vegetation tickles your nose. (Continue Reading…)